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Italian Neorealism: Rebuilding the Cinematic City is a valuable introduction to one of the most influential of film movements. Exploring the roots and causes of neorealism, particularly the effects of the Second World War, as well as its politics and style, Mark Shiel examines the portrayal of the city and the legacy left by filmmakers such as Rossellini, De Sica, and Visconti. Films studied include Rome, Open City (1945), Paisan (1946), The Bicycle Thief (1948), and Umberto D. (1952).
- Sales Rank: #1263714 in Books
- Brand: Brand: Wallflower Press
- Published on: 2006-03-17
- Original language: English
- Number of items: 1
- Dimensions: 7.79" h x .40" w x 5.95" l, .53 pounds
- Binding: Paperback
- 144 pages
- Used Book in Good Condition
Review
An excellent introduction to one of the often mentioned but lesser understood forms of world cinema. ***** -- Sam Toy, Empire magazine, April 2006
A highly engaging introduction to Italy’s most celebrated cinematic movement -- Gaetana Marrone, Princeton University
Mark Shiel's survey of Italian Neorealism is a well-written, well-researched and interesting book -- Peter Bondanella, Indiana University
About the Author
Mark Shiel is Lecturer in Film Studies at King's College London. He is the author of Cinema and the City and Screening the City.
Most helpful customer reviews
4 of 5 people found the following review helpful.
We need the Cinematic City rebuilt here and now
By J. Montoto
The book reviews the major works of the movement and the importance of their style and political motivation. Looking at today's domestic film industry, where a crazed celebrity adoration mentality trumps form and content, this book will clearly make you understand the need to view these fine films and hope for a re-thinking of our cinematic culture.
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