Minggu, 21 Februari 2010

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  • Published on: 2011-10-15
  • Binding: Paperback

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Sabtu, 20 Februari 2010

[S365.Ebook] Free PDF Find Me: A Novel, by Laura van den Berg

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Find Me: A Novel, by Laura van den Berg

Long-listed for the 2016 International Dylan Thomas Prize

After two acclaimed story collections, Laura van den Berg brings us Find Me, her highly anticipated debut novel--a gripping, imaginative, darkly funny tale of a young woman struggling to find her place in the world.

Joy has no one. She spends her days working the graveyard shift at a grocery store outside Boston and nursing an addiction to cough syrup, an attempt to suppress her troubled past. But when a sickness that begins with memory loss and ends with death sweeps the country, Joy, for the first time in her life, seems to have an advantage: she is immune. When Joy's immunity gains her admittance to a hospital in rural Kansas, she sees a chance to escape her bleak existence. There she submits to peculiar treatments and follows seemingly arbitrary rules, forming cautious bonds with other patients--including her roommate, whom she turns to in the night for comfort, and twin boys who are digging a secret tunnel.

As winter descends, the hospital's fragile order breaks down and Joy breaks free, embarking on a journey from Kansas to Florida, where she believes she can find her birth mother, the woman who abandoned her as a child. On the road in a devastated America, she encounters mysterious companions, cities turned strange, and one very eerie house. As Joy closes in on Florida, she must confront her own damaged memory and the secrets she has been keeping from herself.

  • Sales Rank: #300965 in Books
  • Published on: 2016-02-02
  • Released on: 2016-02-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.52" h x .79" w x 5.02" l, .0 pounds
  • Binding: Paperback
  • 288 pages

From School Library Journal
The world is starting to fall apart just as Joy begins putting herself back together. Abandoned by her mother at birth and raised in several foster care and group home situations, Joy has struggled to find direction. When a deadly sickness spreads across the country, first stripping people of their memories and then propelling them from dementia to death, Joy finds out she is immune to this disease and is admitted to a hospital that is looking for a cure. She uses this time to reflect on her life thus far and make a plan to track down her birth mother. The first-person narration allows readers to follow the story through Joy's changing perspective, which creates a mood that subtly moves from ambivalence to determination. Teens will be compelled to discover more about the mystery of the illness, and themes of survival and self-discovery will resonate with them. This debut novel's interesting exploration of how people behave during times of crisis mixed with the dynamics of hospital living is a combination of Susanna Kaysen's Girl, Interrupted (Turtle Bay Bks., 1993) and Josh Malerman's Bird Box (Ecco, 2014). VERDICT Give this to introspective teens who enjoy postapocalyptic stories and lyrical language.—Carrie Shaurette, Dwight-Englewood School, Englewood, NJ

Review
"The book's ambiguous conclusion may lead to rereading as the possibility of multiple interpretations is opened." ---Library Journal Starred Review

About the Author
Laura van den Berg's first collection of stories, What the World Will Look Like When All the Water Leaves Us, was a Barnes & Noble "Discover Great New Writers" selection. Her second collection of stories, The Isle of Youth, won the Rosenthal Family Foundation Award from the American Academy of Arts and Letters and The Bard Fiction Prize, and was named a "Best Book of 2013" by over a dozen venues, including NPR, The Boston Globe, and O, The Oprah Magazine. Both collections were shortlisted for the Frank O'Connor International Short Story Award. The recipient of a 2014 O. Henry Award, Laura currently lives in the Boston area and is a Writer-in-Residence at Bard College. Find Me is her first novel.

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26 of 31 people found the following review helpful.
What did I just read?
By Debbie McBee
I'm not even mad that I wasted $13 and a part of two days. Nothing ... absolutely nothing makes any sense. It's as if the author got incredibly stoned and began scribbling on the walls. The apocalypse? Stupid. Don't let that hook you. The author attempts to reel in a story about this mystery disease killing Americans, but never lands it. Is it truly an apocalypse if the disease only affects Americans? There is no resolution. None. Actually there is nothing to resolve. Just a bunch of ramblings about what the subject remembers. 'I remember the sky was purple and I was craving ice cream. A puppy whined in the distance and a blue whale was on tv.' Okay, that's not an actual quote from the book, but it could've been. Utterly stupid through and through.

The book could also use an editor. There is an entire paragraph describing a man with 'their'. Their hair, their posture. Other nitpicky items throughout that I wouldn't normally mention: however the story is so bad (so, so bad), the errors blazed from the pages.

8 of 8 people found the following review helpful.
Hit and miss
By Bill Tobin
I bought this book after reading a review on the Culture section of BBC News. Find Me was listed as one of the best books for 2015 and I was intrigued. Intrigue turned to despair. I struggled to retain any real interest for the main character in the second part of the book and failed to buy into the storyline of her journey after the hospital. Some of the writing is beautiful, but excellent prose is not enough for me if the plot and characters fail to connect.

0 of 0 people found the following review helpful.
If memory defines who we are, then what does it mean if it's gone?
By Amazon Customer
If you are looking for your typical, sci-fi, plot-driven dystopian novel, you have come to the wrong place. The mind-destroying disease that begins the apocalyptic degradation of society only acts as a backdrop in "Find Me," and rightly so. This book isn't about the politics, religion, or even culture behind humanity when it reaches its breaking point--instead, it pinpoints its focus to a singular character, fighting not for survival (as many of the characters in this ravaged world, in fact, have turned their backs on) but instead for a meaning in a world that is not, for her, entirely different from what she had experienced before the sickness. That meaning comes in the form of self-exploration, and a desperate attempt at unearthing her own identity with more hope for success than those she watches succumb to a deadly, memory-erasing fate.

I want to address the criticism I've seen in reviews about the book, which actually pushed me to buy it in the first place. I love Laura Van Den Berg's writing style, and know it's not for everyone. But many of reviewers that complain about the book's lack of plot, movement, and answers I feel might have been skimming and not really reading. I never got the sense that "nothing" happened--things were constantly happening, in the form of unusual, moody scenes that either fleshed out the main character Joy's past or pushed the plot forward perfectly. Certainly there are questions posed that don't always have direct answers, but like any good story, you have to look for them--they aren't just handed to you on a silver platter. Additionally, many of the things left up to interpretation, either because of Joy's ignorance to the situation or unreliable narration, I found more interesting to ponder to myself long after the book ended.

Finally, there is the switch in scenery as Joy moves from the Hospital she is kept in to the roadways on a trip to find her mother. Which section the reader likes better is entirely up to the reader themselves; I liked both parts of the story equally. I will say that the mysterious and seemingly too-good-to-be-true appearance of one of the most important characters mid-way through should not be looked at as a deux ex machina on the part of the author. Remember that this a story in which memory and perception, according to Joy herself, are not necessary accurate, and we as readers should treat all of the experiences she has, in and out of the Hospital, as merely that--experiences, and not always the hard truth.

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Jumat, 05 Februari 2010

[Y106.Ebook] Download Put Money in Thy Purse: Filming of Orson Welles' "Othello", by Micheal MacLiammoir

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Put Money in Thy Purse: Filming of Orson Welles'

The author first met Orson Welles in Dublin's Gate Theatre during the late 1930s, and established a long and stormy relationship with him. When the film of "Othello" was planned by Welles, the author was hired as Iago. This book is an account of the travails attendant on the production, which constantly ran out of money, and is also an acerbic and witty assessment of Welles himself.

  • Sales Rank: #3347475 in Books
  • Published on: 1994-04-21
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 258 pages

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0 of 0 people found the following review helpful.
Wonderfully interesting account of the making of Orson Welles' "Othello"
By Katrina Mount
Wonderfully interesting account of the making of Orson Welles' "Othello". Great stories of Orson himself and his creative process by an industry insider who was deeply involved. Great fun.

0 of 0 people found the following review helpful.
Funny, insightful look at the making of Welles' "Othello"
By Cliff Burns
Orson Welles' 1952 film adaptation of OTHELLO was one of the most famously fraught movie productions ever. The initial financial backing collapsed, so Welles was forced to pay expenses out of his own pocket. Shooting was halted on several occasions, actors and crew sent home or, even worse, kept waiting in remote North African locations while bills for hotels and accommodations loomed. Meanwhile, the director-star would have jetted off somewhere to lend his talents to some production willing to pay through the nose for even a brief screen appearance by a living legend.

Welles tapped his old friend Michael MacLiammoir to play Iago to his Moor and it was an inspired choice. MacLiammoir's portrayal was superb and he was also on hand to document, via his daily diary, many of the travails and obstacles Welles faced. PUT MONEY IN THY PURSE is a warts and all depiction of Welles, we see his genius and his bluster and brutality as well. Yet somehow he was able to hold everything together, forge on with his film regardless of obstacles, and complete a truly cinematic and unique version out of an old chestnut, breathe life into the Bard, while so many other efforts fall by the wayside.

This book, along with Werner Herzog's CONQUEST OF THE USELESS, is an invaluable addition to any cineaste's collection, especially if they revere the films of Orson Welles and respect his gigantic and singular creative spirit. Difficult to find, almost impossible, in fact, which renders PUT MONEY IN THY PURSE, in my view, virtually priceless.

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Kamis, 28 Januari 2010

[I186.Ebook] Download Ebook Lectures on ordinary differential equations (Addison-Wesley series in mathematics), by Einar Hille

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Lectures on ordinary differential equations (Addison-Wesley series in mathematics), by Einar Hille

  • Sales Rank: #6356462 in Books
  • Published on: 1968
  • Binding: Unknown Binding
  • 723 pages

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Kamis, 14 Januari 2010

[S609.Ebook] Free PDF A Man Without a Country, by Kurt Vonnegut

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A Man Without a Country, by Kurt Vonnegut

NEW YORK TIMES BESTSELLER

“[This] may be as close as Vonnegut ever comes to a memoir.”
–Los Angeles Times

“Like [that of] his literary ancestor Mark Twain, [Kurt Vonnegut’s] crankiness is good-humored and sharp-witted. . . . [Reading A Man Without a Country is] like sitting down on the couch for a long chat with an old friend.”
–The New York Times Book Review

In a volume that is penetrating, introspective, incisive, and laugh-out-loud funny, one of the great men of letters of this age–or any age–holds forth on life, art, sex, politics, and the state of America’s soul. From his coming of age in America, to his formative war experiences, to his life as an artist, this is Vonnegut doing what he does best: Being himself. Whimsically illustrated by the author, A Man Without a Country is intimate, tender, and brimming with the scope of Kurt Vonnegut’s passions.

“For all those who have lived with Vonnegut in their imaginations . . . this is what he is like in person.”
–USA Today

“Filled with [Vonnegut’s] usual contradictory mix of joy and sorrow, hope and despair, humor and gravity.”
–Chicago Tribune

“Fans will linger on every word . . . as once again [Vonnegut] captures the complexity of the human condition with stunning calligraphic simplicity.”
–The Australian

“Thank God, Kurt Vonnegut has broken his promise that he will never write another book. In this wondrous assemblage of mini-memoirs, we discover his family’s legacy and his obstinate, unfashionable humanism.”
–Studs Terkel

  • Sales Rank: #50311 in Books
  • Published on: 2007-01-16
  • Released on: 2007-01-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .50" w x 5.20" l, .29 pounds
  • Binding: Paperback
  • 160 pages
Features
  • Memoir
  • Kurt Vonnegut
  • A Man Without a Country

From Publishers Weekly
In his first book since 1999, it's just like old times as Vonnegut (now 82) makes with the deeply black humor in this collection of articles written over the last five years, many from the alternative magazine In These Times. But the pessimistic wisecracks may be wearing thin; the conversational tone of the pieces is like Garrison Keillor with a savage undercurrent. Still, the schtick works fine most of the time, underscored by hand-lettered aphorisms between chapters. Some essays suffer from authorial self-indulgence, however, like taking a dull story about mailing a manuscript and stretching it to interminable lengths. Vonnegut reserves special bile for the "psychopathic personalities" (i.e., "smart, personable people who have no consciences") in the Bush administration, which he accuses of invading Iraq so America can score more of the oil to which we have become addicted. People, he says, are just "chimpanzees who get crazy drunk on power." Of course, that's exactly the sort of misanthropy hardcore Vonnegut fans will lap up—the online versions of these pieces are already described as the most popular Web pages in the history of In These Times. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
Born in 1922 in Indianapolis, Indiana, KURT VONNEGUT was one of the few grandmasters of modern American letters. Called by the New York Times “the counterculture’s novelist,” his works guided a generation through the miasma of war and greed that was life in the U.S. in second half of the 20th century. After a stints as a soldier, anthropology PhD candidate, technical writer for General Electric, and salesman at a Saab dealership, Vonnegut rose to prominence with the publication of Cat’s Cradle in 1963. Several modern classics, including Slaughterhouse-Five, soon followed. Never quite embraced by the stodgier arbiters of literary taste, Vonnegut was nonetheless beloved by millions of readers throughout the world. “Given who and what I am,” he once said, “it has been presumptuous of me to write so well.” Kurt Vonnegut died in New York in 2007.


From the eBook edition.

Excerpt. © Reprinted by permission. All rights reserved.
1

As a kid I was the youngest member of my family, and the youngest child in any family is always a jokemaker, because a joke is the only way he can enter into an adult conversation. My sister was five years older than I was, my brother was nine years older than I was, and my parents were both talkers. So at the dinner table when I was very young, I was boring to all those other people. They did not want to hear about the dumb childish news of my days. They wanted to talk about really important stuff that happened in high school or maybe in college or at work. So the only way I could get into a conversation was to say something funny. I think I must have done it accidentally at first, just accidentally made a pun that stopped the conversation, something of that sort. And then I found out that a joke was a way to break into an adult conversation.

I grew up at a time when comedy in this country was superb—it was the Great Depression. There were large numbers of absolutely top comedians on radio. And without intending to, I really studied them. I would listen to comedy at least an hour a night all through my youth, and I got very interested in what jokes were and how they worked.

When I’m being funny, I try not to offend. I don’t think much of what I’ve done has been in really ghastly taste. I don’t think I have embarrassed many people, or distressed them. The only shocks I use are an occasional obscene word. Some things aren’t funny. I can’t imagine a humorous book or skit about Auschwitz, for instance. And it’s not possible for me to make a joke about the death of John F. Kennedy or Martin Luther King. Otherwise I can’t think of any subject that I would steer away from, that I could do nothing with. Total catastrophes are terribly amusing, as Voltaire demonstrated. You know, the Lisbon earthquake is funny.

I saw the destruction of Dresden. I saw the city before and then came out of an air-raid shelter and saw it afterward, and certainly one response was laughter. God knows, that’s the soul seeking some relief.

Any subject is subject to laughter, and I suppose there was laughter of a very ghastly kind by victims in Auschwitz.

Humor is an almost physiological response to fear. Freud said that humor is a response to frustration—one of several. A dog, he said, when he can’t get out a gate, will scratch and start digging and making meaningless gestures, perhaps growling or whatever, to deal with frustration or surprise or fear.

And a great deal of laughter is induced by fear. I was working on a funny television series years ago. We were trying to put a show together that, as a basic principle, mentioned death in every episode and that this ingredient would make any laughter deeper without the audience’s realizing how we were inducing belly laughs.

There is a superficial sort of laughter. Bob Hope, for example, was not really a humorist. He was a comedian with very thin stuff, never mentioning anything troubling. I used to laugh my head off at Laurel and Hardy. There is terrible tragedy there somehow. These men are too sweet to survive in this world and are in terrible danger all the time. They could be so easily killed.


Even the simplest jokes are based on tiny twinges of fear, such as the question, “What is the white stuff in bird poop?” The auditor, as though called upon to recite in school, is momentarily afraid of saying something stupid. When the auditor hears the answer, which is, “That’s bird poop, too,” he or she dispels the automatic fear with laughter. He or she has not been tested after all.

“Why do firemen wear red suspenders?” And “Why did they bury George Washington on the side of a hill?” And on and on.

True enough, there are such things as laughless jokes, what Freud called gallows humor. There are real-life situations so hopeless that no relief is imaginable.

While we were being bombed in Dresden, sitting in a cellar with our arms over our heads in case the ceiling fell, one soldier said as though he were a duchess in a mansion on a cold and rainy night, “I wonder what the poor people are doing tonight.” Nobody laughed, but we were still all glad he said it. At least we were still alive! He proved it.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Buy this book. Read it. Vonnegut has crystalline ...
By Amazon Customer
Buy this book. Read it. Vonnegut has crystalline clear vision and reasoning powers.

14 of 15 people found the following review helpful.
A Quick Read Which Will be Sure To Get You Thinking!
By Brandon Hoffman
A Man Without A Country is a surefire hit for any Vonnegut fan. The book is a collection of ideas and short writings from the mind of 82 year old Kurt Vonnegut. The writings are reminiscent of a modern day blogger which is ironic considering Vonnegut's dislike of technological advance. I feel that his writings in this semi-memoire were quite amusing, well organized and inciteful. His feelings on war and the current state of this country are a little off the beaten path but they open your eyes to another way of thinking. I was also very impressed by his comparison of gasoline/petrolium to drug addiction. Overall this is a great book and a very quick read. Vonnegut will surely go down in history as one of the greatest writers of all time.

0 of 0 people found the following review helpful.
Five Stars
By Mickey Gjerris
Vonnegut at his best. Brief, cynical, poetic

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Minggu, 10 Januari 2010

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  • Sales Rank: #2403657 in Books
  • Published on: 1956
  • Number of items: 1
  • Binding: Hardcover
  • 419 pages

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Selasa, 05 Januari 2010

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Seven Lessons in Conscious Living: A Comprehensive Course in Higher Learning and Spiritual Practice in the Kriya Yoga Tradition, by Roy Eu

  • Sales Rank: #3101052 in Books
  • Published on: 2013-06-14
  • Original language: English
  • Dimensions: 5.98" h x .39" w x 8.98" l, .60 pounds
  • Binding: Paperback
  • 160 pages

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